Performance, B.M.
Requirements
All concentrations in the Music Performance Major require courses in the following areas:
- General Education Core Requirements
- General Education Marker Requirements
- Major Concentration Requirements
- Electives (excepting Voice)
Performance majors must maintain a cumulative GPA of 2.50 or higher in Music courses.
Student Learning Goals
Undergraduate students in Music Performance pursue rigorous professional training in music along with a broad liberal arts education. Our students graduate as informed, responsible citizens, with the tools to succeed and communicate effectively as musicians of the 21st Century.
Graduating Students in the B.M. Music Performance Program will:
- communicate clear musical intentions and understanding;
- demonstrate sufficient understanding of and capability with musical forms, processes, and structures in performance or creative applications according to the requisites of their specializations;
- demonstrate basic understanding of historical awareness in performance or creative applications according to the requisites of their specializations;
- demonstrate sufficient technical ability in performance or creative applications according to the requisites of their specializations; and,
- demonstrate entrepreneurial skills according to the requisites of their specializations.
Overall Requirements
- 123-128 credit hours
Degree Program Requirements
| Code | Title | Credit Hours |
|---|---|---|
| University Requirements | ||
| General Education Core Requirements (GEC) | ||
Major Requirements
Brass and Percussion Concentration Requirements
- 123 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Principal Performance Area | 20 | |
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Ensemble | 8 | |
Select 8 credits by audition placement | ||
| Chamber Music | 8 | |
Select 8 credits of the following: | ||
| Casella Sinfonietta | ||
| Chamber Music | ||
| Trumpet Ensemble | ||
| Horn Ensemble | ||
| Trombone Ensemble | ||
| Tuba/Euphonium Ensemble | ||
| Percussion Ensemble | ||
| Period Music Ensembles | ||
| Old Time Ensemble | ||
| Recitals | ||
| Recital | ||
| Recital | ||
| Musicianship Skills and Analysis | 16 | |
| Music Theory I | ||
| Ear-Training I | ||
| Music Theory II | ||
| Ear-Training II | ||
| Music Theory III | ||
| Music Theory IV | ||
| Ear-Training III | ||
| Ear-Training IV | ||
| History and Repertory * | 12 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| American Music ††† | ||
| Music Support Courses | 9 | |
Select 9 credits ** | ||
| Music Technology | 1 | |
| Technology for Musicians I | ||
| Keyboard | 4 | |
| Class Piano 1 | ||
| Conducting | 1 | |
Select 1 credit | ||
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Repertoire Class | 8 | |
| Repertoire Class (taken for eight semesters) | ||
| * | 3 credits in concentration, 9 credits toward GEC. |
| ** | May not be Performance or Ensemble. |
| 1 | Course work through the course listed or proficiency. |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
| ††† | Counts toward GEC GHP requirement. |
Composition Concentration Requirements
- 128 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Composition Study | 24 | |
| Composition Skills (taken for 2 semesters) | ||
| Composition Studies | ||
| Composition Studies | ||
| Composition Studies | ||
| Composition Studies | ||
| Composition Studies | ||
| Composition Studies | ||
| Principal Performance Area | 8 | |
Select 12 credits | ||
| Ensemble | 8 | |
Select 8 credits | ||
| Digital Music Composition | 3 | |
| Digital Music Composition I | ||
or MUP 345 | Digital Music Composition II | |
| Recitals | ||
| Recital | ||
| Recital | ||
| Musicianship Skills and Analysis | 16 | |
| Music Theory I | ||
| Music Theory II | ||
| Ear-Training I | ||
| Ear-Training II | ||
| Music Theory III | ||
| Music Theory IV | ||
| Ear-Training III | ||
| Ear-Training IV | ||
| History and Repertory * | 12 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| American Music ††† | ||
| Keyboard | 4 | |
| Class Piano ** | ||
| Orchestration | 3 | |
| Orchestration | ||
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Conducting | 2-3 | |
2-3 credits from the courses listed below | ||
| Instrumental Conducting I | ||
or MUP 319 | Choral Conducting I | |
| Choral Conducting I | ||
| Instrumental Conducting II | ||
| Choral Conducting II | ||
| Composition Seminar | 8 | |
| Composition Seminar (taken for 8 semesters) | ||
| Music Support Courses | 9 | |
9 credits required as listed below | ||
| Analysis of Music Since 1900 | ||
| Tonal Counterpoint | ||
| Music of the Twentieth Century | ||
| * | 3 credits. in concentration, 9 credits toward GEC |
| ** | 4 credit hours of coursework through MUP 134 Class Piano or proficiency. Not required of keyboard principals. |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
| ††† | Counts toward GEC GHP requirement. |
Jazz Concentration Requirements
- 123 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Principal Performance Area | 22 | |
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Ensemble or Chamber Music | 12 | |
Select 12 credits by placement audition from the following: * | ||
| Chamber Music | ||
| Jazz Ensemble I | ||
| Jazz Ensemble II | ||
| Jazz Pedagogy | 2 | |
| Jazz Pedagogy | ||
| Recitals | ||
| Recital | ||
| Recital | ||
| Musicianship Skills and Analysis | 15 | |
| Music Theory I | ||
| Ear-Training I | ||
| Music Theory II | ||
| Ear-Training II | ||
| Music Theory III | ||
| Ear-Training III | ||
| Music Theory IV | ||
| History and Repertory ** | 9 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| Jazz Listening | 2 | |
| Introduction to Jazz Listening | ||
| Conducting | 1 | |
| Instrumental Conducting I | ||
| Jazz Theory | 3 | |
| Principles of Jazz Theory | ||
| Jazz Improvisation | 4 | |
| Jazz Improvisation I | ||
| Jazz Improvisation II | ||
| Jazz Arranging | 4 | |
| Jazz Arranging I | ||
| Jazz Arranging II | ||
| Jazz History | 3 | |
| History of Jazz | ||
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Music Technology | 1 | |
| Technology for Musicians I | ||
| Repertoire Class | 8 | |
| Repertoire Class (taken for 8 semesters) | ||
| * | Placement by audition in one, two, or all three of the courses listed. |
| ** | 3 credits in concentration, 9 credits toward GEC |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
Keyboard Concentration Requirements
- 123 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Principal Performance Area | 20 | |
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Ensemble | 4 | |
| Keyboard Accompanying (or placement by audition) | ||
| Chamber Music | 4 | |
Select 4 credits of the following: | ||
| Casella Sinfonietta | ||
| Chamber Music | ||
| Period Music Ensembles | ||
| Old Time Ensemble | ||
| Accompanying | 6 | |
Select 6 credits of the following: | ||
| Fundamentals of Keyboard Accompanying I | ||
| Fundamentals of Keyboard Accompanying II | ||
| Keyboard Accompanying | ||
| Pedagogy | 3 | |
| Piano Pedagogy I | ||
or MUP 425 | Organ Pedagogy | |
| Recitals | ||
| Recital | ||
| Recital | ||
| Musicianship Skills and Analysis | 16 | |
| Music Theory I | ||
| Music Theory II | ||
| Ear-Training I | ||
| Ear-Training II | ||
| Music Theory III | ||
| Music Theory IV | ||
| Ear-Training III | ||
| Ear-Training IV | ||
| History and Repertory * | 12 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| American Music ††† | ||
| Music Support Courses | 9 | |
Select 9 credits ** | ||
| Conducting | 1 | |
| Choral Conducting I | ||
or MUP 372 | Instrumental Conducting I | |
| Piano Literature | 3 | |
| Piano Literature I | ||
or MUP 414 | Piano Literature II | |
| Keyboard Harmony | 2 | |
| Keyboard Harmony I | ||
| Keyboard Harmony II | ||
| Orchestration/Counterpoint | 3 | |
| Orchestration | ||
or MUS 439 | Tonal Counterpoint | |
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Repertoire Class | 8 | |
| Repertoire Class (taken for 8 semesters) | ||
| * | 3 credits in concentration, 9 credits toward GEC. |
| ** | May not be Performance or Ensemble. |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
| ††† | Counts toward GEC GHP requirement. |
Strings Concentration Requirements
- 128 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Principal Performance Area | 20 | |
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Ensemble | 8 | |
Select 8 credits by audition placement | ||
| Chamber Music | 6 | |
Select 6 credits from the following: | ||
| Violin Ensemble | ||
| Viola Ensemble | ||
| Cello Ensemble | ||
| Bass Ensemble | ||
| Camerata | ||
| Casella Sinfonietta | ||
| Chamber Music | ||
| Period Music Ensembles | ||
| Old Time Ensemble | ||
| Recitals | ||
| Recital | ||
| Recital | ||
| Musicianship Skills and Analysis | 16 | |
| Music Theory I | ||
| Ear-Training I | ||
| Music Theory II | ||
| Ear-Training II | ||
| Music Theory III | ||
| Ear-Training III | ||
| Music Theory IV | ||
| Ear-Training IV | ||
| History and Repertory * | 12 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| American Music ††† | ||
| Music Support Courses | 9 | |
Select 9 credits ** | ||
| Keyboard | 4 | |
| Class Piano 1 | ||
| Conducting | 1 | |
| Instrumental Conducting I | ||
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Music Technology | 1 | |
| Technology for Musicians I | ||
| Repertoire Class | 8 | |
| Repertoire Class (taken for 8 semesters) | ||
| * | 3 credits in concentration, 9 credits toward GEC. |
| ** | May not be Performance or Ensemble. |
| 1 | Course work through the course listed or proficiency. |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
| ††† | Counts toward GEC GHP requirement. |
Voice Concentration Requirements
- 128 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Principal Performance Area | 20 | |
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Ensemble | 8 | |
Select 8 credits by placement audition | ||
| Diction | 4 | |
| Italian and Latin Diction for Singers | ||
| English Diction for Singers | ||
| French Diction for Singers | ||
| German Diction for Singers | ||
| Voice Pedagogy | 3 | |
| Principles of Vocal Pedagogy * | ||
| Recitals | ||
| Recital | ||
| Recital | ||
| Languages | 16 | |
16 credits as listed below | ||
| Italian for Singers | ||
| Beginning French I | ||
| Beginning French II | ||
| Beginning German I | ||
| Beginning German II | ||
| Musicianship Skills and Analysis | 16 | |
| Music Theory I | ||
| Music Theory II | ||
| Ear-Training I | ||
| Ear-Training II | ||
| Music Theory III | ||
| Music Theory IV | ||
| Ear-Training III | ||
| Ear-Training IV | ||
| History and Repertory ** | 12 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| American Music ††† | ||
| Opera Techniques | 2 | |
| Opera Performance Techniques | ||
| Song Literature | 3 | |
| Song Literature I | ||
or MUP 427 | Song Literature II | |
| Keyboard | 8 | |
Select 8 credits of the following: | ||
| Class Piano 1 | ||
| Performance Studies | ||
| Conducting | 1 | |
| Choral Conducting I | ||
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Music Technology | 1 | |
| Technology for Musicians I | ||
| Music Performance Elective | 1 | |
Select 1 credit | ||
| Repertoire Class | 8 | |
| Repertoire Class (taken for 8 semesters) | ||
| * | Pending verification. |
| ** | 3 credits in concentration, 9 credits toward GEC. |
| 1 | Maximum 8 credit hours: 4 credits of secondary piano beyond MUP 134 Class Piano or proficiency. If proficiency is achieved prior to MUP 134 Class Piano, Secondary Piano Studies may begin for a total of four semesters, which would include MUP 153 Performance Studies, MUP 253 Performance Studies, and two semesters of MUP 353 Performance Studies, one credit each semester. |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
| ††† | Counts toward GEC GHP requirement. |
Woodwinds Concentration Requirements
- 123 credit hours
| Code | Title | Credit Hours |
|---|---|---|
| Principal Performance Area | 20 | |
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Performance Studies | ||
| Ensemble | 8 | |
Select 8 credits by placement audition | ||
| Chamber Music | 4 | |
Select 4 credits of the following: | ||
| Casella Sinfonietta | ||
| Chamber Music | ||
| Flute Ensemble | ||
| Oboe Ensemble | ||
| Clarinet Ensemble | ||
| Bassoon Ensemble | ||
| Saxophone Ensemble | ||
| Period Music Ensembles | ||
| Old Time Ensemble | ||
| Recitals | ||
| Recital | ||
| Recital | ||
| Musicianship Skills and Analysis | 16 | |
| Music Theory I | ||
| Music Theory II | ||
| Ear-Training I | ||
| Ear-Training II | ||
| Music Theory III | ||
| Music Theory IV | ||
| Ear-Training III | ||
| Ear-Training IV | ||
| History and Repertory * | 12 | |
| Musicology Research † | ||
| History of Western Music II †† | ||
| History of Western Music III | ||
| American Music ††† | ||
| Music Support Courses | 9 | |
Select 9 credits ** | ||
| Keyboard | 4 | |
| Class Piano 1 | ||
| Conducting | 1 | |
| Instrumental Conducting I | ||
| Entrepreneurship | 3 | |
| Entrepreneurship in the Performing Arts | ||
| Music Technology | 1 | |
| Technology for Musicians I | ||
| Repertoire Class | 8 | |
| Repertoire Class (taken for 8 semesters) | ||
| * | 3 credits in concentration, 9 credits toward GEC |
| ** | May not be Performance or Ensemble. |
| 1 | Course work through the level of the course listed or proficiency. |
| † | Counts toward GEC GPR requirement. |
| †† | Counts toward GEC GFA requirement. |
| ††† | Counts toward GEC GHP requirement. |
Electives
Brass and Percussion Concentration
Electives sufficient to complete the 123 credit hours required for the degree.
Composition Concentration
- Music Electives
6 credits required. - Non-Restricted Electives sufficient to complete the 128 credits required for the degree.
Jazz Concentration
Electives sufficient to complete the 123 credits required for the degree.
Keyboard Concentration
Electives sufficient to complete the 123 credits required for the degree.
Strings Concentration
Electives sufficient to complete the 128 credits required for the degree.
Voice Concentration
Electives sufficient to complete the 128 credits required for the degree.
Woodwinds Concentration
Electives sufficient to complete the 123 credits required for the degree.